by samanthabooneaudio@gmail.com | Jun 23, 2025 | Home
The Bottom is just the Top Again: Understanding overshoot in Sound system design As a touring system engineer, the job encompasses many responsibilities—from managing the audio department and ensuring system consistency to collecting and interpreting acoustic data....
by samanthabooneaudio@gmail.com | May 23, 2025 | Home
How to make the jump from houses of worship to touring For countless audio professionals, houses of worship were called home long before the bright lights and large scale systems became the daily norm of touring gigs. For many, churches have served as a training...
by samanthabooneaudio@gmail.com | Apr 3, 2025 | Home
Considering Context and Genre in Live Sound Environments In the world of live sound, we all too often ask a question and meet a frustratingly common answer. I’ve heard it repeated more times than I can count. Two words… “it depends”. This catch-22...
by samanthabooneaudio@gmail.com | Mar 5, 2025 | Home
How to MeAsure In Ear Monitors Consistency As live sound technology has evolved over the years, ensuring consistent audio for performers onstage has become a science as much as it’s always been an art. With in-ear monitors (IEMs) now often being critical for artist...
by samanthabooneaudio@gmail.com | Jan 11, 2025 | Home
How to Choose a Measurement Microphone Today, with technology and the popularity of system engineering and measurement in audio, there are several popular choices in gear, especially measurement microphones. I also find that this is one of the most common questions I...
by samanthabooneaudio@gmail.com | Dec 1, 2024 | Home
How to Prevent Feedback in Live Audio Almost every live audio engineer, at some point, has experienced the dreaded scream or rumble of feedback during a show. Whether it’s the piercing screech of a microphone through the PA or the relentless low-end hum, feedback is...
